`
`UNITED STATES PATENT AND TRADEMARK OFFICE
`___________________
`
`BEFORE THE PATENT TRIAL AND APPEAL BOARD
`___________________
`
`
`SONY CORPORATION
`Petitioner
`
`v.
`
`ARRIS ENTERPRISES LLC
`Patent Owner
`
`___________________
`
`Case IPR2017-01803
`Patent 7,107,532
`___________________
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`PATENT OWNER’S PRELIMINARY RESPONSE
`PURSUANT TO 37 C.F.R. § 42.107
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`
`
`Mail Stop “PATENT BOARD”
`Patent Trial and Appeal Board
`U.S. Patent and Trademark Office
`P.O. Box 1450
`Alexandria, VA 22313-1450
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`
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`Case IPR2017-01803
`U.S. Pat. No. 7,107,532
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`TABLE OF CONTENTS
`
`I.
`II.
`
`B.
`
`Introduction. ..................................................................................................... 1
`Overview of the ’532 patent. ........................................................................... 2
`A.
`The ’532 patent provided an innovative graphical user
`interface for improved navigation of selectable options. ...................... 2
`The claimed techniques of the ’532 patent were praised
`by the industry. ...................................................................................... 5
`III. Claim Construction. ......................................................................................... 6
`A.
`“visual card” .......................................................................................... 6
`IV. Ground 1: The Board should deny institution of Ground 1
`because Sony did not establish a reasonable likelihood that
`claims 1-11, 16-20, 24, 26-36, 41-45, and 50-53 are rendered
`obvious by the combination of Törnqvist and Bergsten.................................. 7
`A. Overview of Törnqvist. ......................................................................... 7
`B.
`Overview of Bergsten. .........................................................................10
`C.
`Sony did not establish a reasonable likelihood that the
`combination of Törnqvist and Bergsten renders obvious
`independent claims 1, 26, 50, and 52. .................................................12
`1.
`Sony fails to establish that Törnqvist renders
`obvious a “spatially-fixed focus area,” as recited in
`independent claims 1, 26, 50, and 52. .......................................12
`Sony fails to establish that Törnqvist renders
`obvious a “scroll[ing] only visual cards from a first
`sequence of visual cards … through a spatially-
`fixed focus area,” as recited in independent claims
`1, 26, and 52. .............................................................................14
`Sony fails to establish that Törnqvist discloses “in
`response to a user horizontally scrolling a
`particular visual card of the first sequence of visual
`cards corresponding to a television application into
`the focus area, enabling vertically scrolling of a
`second sequence of visual cards through the focus
`area,” as recited in independent claim 50. ................................16
`
`2.
`
`3.
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`D.
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`C.
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`4.
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`U.S. Pat. No. 7,107,532
`Sony did not provide a sufficient motivation to
`combine Törnqvist and Bergsten to reach the
`claimed invention of claims 1, 26, 50, and 52. .........................18
`Sony fails to establish that Törnqvist renders obvious
`“wherein the scrolling of visual cards is in response to a
`single user action,” as recited in claims 9 and 34. ..............................21
`V. Ground 2: The Board should deny institution of Ground 2
`because Sony did not establish a reasonable likelihood that
`claims 3, 4, 25, 28, 29, and 49 are rendered obvious by the
`combination of Törnqvist, Bergsten, and Kazamaki. ....................................23
`A. Overview of Kazamaki. .......................................................................23
`B.
`Sony did not provide a sufficient motivation to combine
`Törnqvist, Bergsten, and Kazamaki. ...................................................25
`Sony fails to establish that the combination of Törnqvist,
`Bergsten, and Kazamaki renders obvious “pausing the
`scrolling of the first sequence of visual cards in response
`to a user command,” as recited in claim 3. .........................................28
`VI. Ground 3: The Board should deny institution of Ground 3
`because Sony did not establish a reasonable likelihood that
`claims 12-15, 23, 37-40, and 48 are rendered obvious by the
`combination of Törnqvist, Bergsten, and LaJoie. .........................................29
`VII. Ground 4: The Board should deny institution of Ground 4
`because Sony did not establish a reasonable likelihood that
`claims 21, 22, 46, and 47 are rendered obvious by the
`combination of Törnqvist, Bergsten, and Sciammarella. ..............................30
`VIII. The Petitions filed against the ’532 patent improperly include
`redundant grounds. ........................................................................................30
`A.
`The Petitions include vertically redundant grounds. ...........................34
`B.
`The Petitions include horizontally redundant grounds. ......................38
`C.
`Sony’s alternative grounds run contrary to the laws and
`regulations governing post-grant review. ............................................40
`IX. Conclusion. ....................................................................................................42
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`TABLE OF AUTHORITIES
`
`
`Cases:
`
`Alarm.com Inc. v. Vivint, Inc.,
`IPR2015-01965, Paper 12 (PTAB Mar. 30, 2016) .................................................. 33
`
`Apple Inc. v. Parthenon Unified Memory Architecture LLC,
`IPR2016-00924, Paper 10 (PTAB Aug. 23, 2016) .................................................. 32
`
`Berk-Tek LLC v. Belden Tech’s, Inc.,
`IPR2013-00057, Paper 21 (PTAB May 14, 2013) .................................................. 32
`
`Conopco, Inc. v. Procter & Gamble Co.,
`Case IPR2013- 00505, Paper 9 (PTAB Feb. 12, 2014) ........................................... 32
`
`Free-Flow Packaging International, Inc. v. Automated Packaging Systems, Inc.,
`IPR2016-004465, Paper 8 (PTAB, July 22, 2016) ............................................ 13, 29
`
`Graham v. John Deere Co. of Kansas City,
`383 U.S. 1 (1966) ..................................................................................................... 19
`
`Harmonic Inc. v. Avid Tech., Inc.,
`815 F.3d 1356 (Fed. Cir. 2016)................................................................................ 31
`
`Heart Failure Technologies, LLC v. CardioKinetix, Inc.,
`IPR2013-00183, Paper 12 (PTAB, July 31, 2013) ............................................ 18, 25
`
`Illumina, Inc. v. The Trustees of Columbia Univ.,
`IPR2012-00006, Paper No. 43 (PTAB May 10, 2013) ...................................... 31-32
`
`In re Kahn,
`441 F.3d 977 (Fed. Cir. 2006) ...................................................................... 18, 19, 25
`
`In re Nuvasive, Inc.,
`842 F.3d 1376 (Fed. Cir. 2016).......................................................................... 21, 28
`
`In re Paulsen,
`30 F.3d 1475 (Fed. Cir. 1994) .................................................................................... 6
`
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`
`In re Ratti,
`270 F.2d 810 (CCPA 1959) ......................................................................... 19-20, 27
`
`KSR Int’l Co. v. Teleflex Inc.,
`550 U.S. 398 (2007) ..................................................................................... 18, 19, 25
`
`LG Electronics, Inc. v. ATI Technologies ULC,
`IPR2015-00330, Paper 17 (PTAB Sept. 2, 2015) .................................................... 32
`
`Liberty Mut. Ins. Co. v. Progressive Cas. Ins. Co.,
`CBM2012-00003, Paper 7 (PTAB Oct. 25, 2012) .................................................. 31
`
`Oracle Corp. v. Clouding IP, LLC,
`IPR2013-00088, Paper 13 (PTAB June 13, 2013) .................................................. 32
`
`Scentair Tech’s., Inc. v. Politec, Inc.,
`IPR2013-00179, Paper 18 (PTAB Aug. 23, 2013) .................................................. 32
`
`Ultratec v. Sorenson Commc’ns,
`IPR2013-00288, Paper 23 (PTAB Jan. 10, 2014) ................................................... 32
`
`Wowza Media Sys., LLC v. Adobe Sys., Inc.,
`IPR2013-00054, Paper 16 (PTAB, July 13, 2013) ............................................ 13, 29
`
`
`Statutes:
`
`35 U.S.C. § 325(d) ................................................................................................... 31
`35 U.S.C. § 326(b) ................................................................................................... 41
`
`
`Regulations:
`
`37 C.F.R. § 42.1(b) ............................................................................................ 40-41
`37 C.F.R. § 42.20(c) ................................................................................................. 32
`37 C.F.R. § 42.104(b)(4) .................................................................................... 15, 29
`37 C.F.R. § 42.108(a) ............................................................................................... 31
`
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`EXHIBIT LIST
`
`
`Exhibit No.
`
`2001
`
`2002
`
`2003
`
`Description
`Moxi Media Center wins second Emmy award (1 Oct. 2005),
`http://informitv.com/2005/10/01/moxi-media-center-wins-second-
`emmy-award/
`Digeo’s ‘Moxi’ an Emmy Repeater,
`http://www.multichannel.com/news/technology/digeo-s-moxi-
`emmy-repeater/259350
`BusinessWire, “Digeo Captures Emmy Award Nomination for
`Video-on-Demand Integration in Moxi™ Program Guide,”
`http://www.businesswire.com/news/home/20061102006266/en/Dig
`eo-Captures-Emmy-A...
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`I.
`
`Introduction.
`Petitioner Sony Corporation (“Sony”) has requested inter partes review of
`
`claims 1-53 of U.S. Patent No. 7,107,532 (“the ’532 patent). Sony has requested
`
`review on nine proposed grounds spread over two Petitions in proceedings
`
`IPR2017-01695 and IPR2017-01803. The Board should deny all grounds in this
`
`Petition because Sony has fallen short of meeting its burden of establishing a
`
`reasonable likelihood of prevailing on any ground.
`
`The ’532 patent is directed to techniques for efficiently selecting from
`
`available options within an information system by scrolling these options,
`
`represented by visual cards, through a spatially-fixed focus area. Each of
`
`independent claims 1, 26, 50, and 52 recites this “spatially-fixed focus area”
`
`element, and Sony relies solely on the Törnqvist reference in each of its grounds to
`
`disclose this feature. But Törnqvist does not disclose or even suggest that its
`
`purported focus area is spatially-fixed. Rather, Törnqvist alludes to the fact that its
`
`focus area may shift locations within Törnqvist’s user interface as a user moves
`
`between different objects.
`
`Sony further fails to map any disclosure of Törnqvist to “scroll[ing] only
`
`visual cards from a first sequence of visual cards … through a spatially-fixed focus
`
`area,” as recited in independent claims 1, 26, and 52. Instead, Sony relies on
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`conclusory statements related to Törnqvist’s feeding or “zapping” up, down, left,
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`or right keys to move objects to Törnqvist’s purported focus area. But Sony fails to
`
`sufficiently address the term “only” recited in the claims. The declaration of
`
`Sony’s expert, Dr. Olsen, provides nearly a verbatim copy of the Petition, and fails
`
`to provide any evidentiary support or further insight. Törnqvist is thus fatally
`
`deficient with respect to the independent claims. Sony’s secondary reference,
`
`Bergsten, does not cure such deficiencies. Nor has Sony met its burden to
`
`sufficiently demonstrate that a person of skill in the art would have combined
`
`Törnqvist with Bergsten in the manner proposed.
`
`The remaining grounds suffer from the same deficiencies as Ground 1, and
`
`therefore should also be denied for similar reasons. Additionally, Petitioner
`
`improperly submits numerous redundant grounds between this Petition and the
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`related Petition in IPR2017-01695, seemingly in an attempt to circumvent the
`
`deficiencies of each individual ground. This strategy runs contrary to the laws and
`
`regulations governing post-grant review and must not be rewarded.
`
`II. Overview of the ’532 patent.
`A. The ’532 patent provided an innovative graphical user interface
`for improved navigation of selectable options.
`
`Many new and innovative video programming choices entered the cable
`
`television landscape in the late 1990s, offering viewers instant access to hundreds
`
`of new titles and television channels as well as new services such as digital video
`
`recording. This profusion of new content created a vast supply of programming,
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`but the ability of television viewers to explore the new content was grid-locked by
`
`the limitations of traditional program guides.
`
`While televisions themselves were becoming increasingly interactive, the
`
`state of user interface design during this period was stagnant and entrenched in
`
`existing paradigms. Graphical user interfaces (GUIs) in the late 1990s looked
`
`remarkably similar to the first GUI invented at Xerox PARC back in 1973. (Ex.
`
`1001, ’532 patent at 1:48-50.) Twenty years after Xerox PARC, television GUIs
`
`still required viewers to “repeatedly press[] a button on a remote control” to scan
`
`through programming options. (Id. at 1:42-45.) With the advent of on-demand,
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`viewers were now expected to sort through potentially hundreds of programming
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`options using this excruciatingly inefficient process—repeatedly pushing arrow
`
`buttons on their remote control to move a cursor from one row or column to the
`
`next. (Id. at 1:25-57.) Addressing new services such as DVR scheduling and
`
`viewing were similarly painful. Prior to the ’532 patent, these problems persisted
`
`with little or no hope of abatement given the continuing dominance of existing
`
`GUI paradigms.
`
`In order to solve these and other problems in the prior art, the ’532 patent
`
`describes a specific user interface that minimizes inefficiency and poor navigation
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`experiences by employing a novel spatially-fixed “focus area” for exploring
`
`available programming options. The navigation interface uses a sequence of
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`“visual cards” that graphically represent the user’s available options. (Id. at
`
`Abstract.) Figure 10 of the ’532 patent (reproduced below) illustrates an example
`
`navigation interface.
`
`
`
`(’532 patent at Figure 10.)
`
`Visual cards may be arranged in sequences, and two different sequences
`
`may be displayed on vertical and horizontal axes, with the focus area at the
`
`intersection. (’532 patent at 4:15-16, 11:40-46.) In response to a single user action,
`
`the sequence of cards in one of the sequences is successively displayed within the
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`spatially-fixed focus area. (Id. at 4:37-42.)
`
`Significantly, the visual cards outside the focus area on the vertical and
`
`horizontal axes are the same cards that appear in the focus area when they are
`
`scrolled into focus. (Id. at 4:25-28.) Using this unique spatially-fixed focus area
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`allows for “rapid and efficient navigation” of hundreds of channels or other
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`available content options, while allowing the user to maintain her gaze at a fixed
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`location. (Id. at 1:57-60; claims 1-53 (all reciting a “fixed focus area”).
`
`B.
`
`The claimed techniques of the ’532 patent were praised by the
`industry.
`
`The ’532 patent was developed in connection with the “Moxi” Media Center
`
`from Paul Allen’s Digeo, Inc., which Patent Owner later acquired. Upon its release,
`
`the industry heaped praise on the new GUI. (See, generally, Ex. 2001; Ex. 2002;
`
`Ex. 2003.) Underscoring its value and unconventionality, the inventors were given
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`numerous accolades. For example, the National Academy of Television Arts and
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`Sciences (NATAS) awarded the Moxi interface an Advanced Technical Emmy
`
`award two years in a row (2004-05) and nominated it for a third Emmy in 2006.
`
`(Ex. 2001 at 1-2; Ex. 2002 at 1; Ex. 2003 at 1.) NATAS called the GUI’s
`
`integration of on-demand functionality a “breakthrough.” (Ex. 2003 at 1.) NATAS
`
`lauded that the GUI offers access “with fewer steps to select and purchase than
`
`previous technologies have required.” (Id.) NATAS also reported that comparative
`
`data compiled in 2006 in the Southern California region showed that video on-
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`demand usage increased by more than 200% for subscribers to the Moxi platform
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`as compared to conventional cable subscribers. (Id. at 2.)
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`III. Claim Construction.
`“visual card”
`A.
`
`Petitioner
`
`“a visually presented object or other suitable data structure”
`
`Patent
`Owner
`
`“a visually displayed object or other suitable data structure that
`provides information about and/or access to an available option
`within an ITV system”
`
`Sony’s construction is inconsistent with the ’532 patent specification, as
`
`Sony’s proposed construction only takes into account part of the definition
`
`provided in the ’532 patent: “A card 200 is an object or other suitable data
`
`structure that provides information about and/or access to an available option
`
`within an ITV system 100.” (’532 patent at 3:29-32 (emphasis added).) An
`
`inventor may act as his own lexicographer as long as specific terms are defined
`
`“with reasonable clarity, deliberateness, and precision.” In re Paulsen, 30 F.3d
`
`1475, 1480 (Fed. Cir. 1994). Accordingly, Sony’s construction is not the broadest
`
`reasonable interpretation in light of the specification, and “visual card” should be
`
`construed as “a visually displayed object or other suitable data structure that
`
`provides information about and/or access to an available option within an ITV
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`system.”
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`IV. Ground 1: The Board should deny institution of Ground 1 because
`Sony did not establish a reasonable likelihood that claims 1-11, 16-20,
`24, 26-36, 41-45, and 50-53 are rendered obvious by the combination
`of Törnqvist and Bergsten.
`
`In its first ground, Sony argues that claims 1-11, 16-20, 24, 26-36, 41-45,
`
`and 50-53 are obvious in view of the combination of Törnqvist and Bergsten.
`
`However, Sony submits identical arguments for independent claims 1, 26, and 52
`
`as in its anticipation ground (Ground 1 of IPR2017-01695: anticipation by
`
`Törnqvist), with the exception of the claim element “wherein no visual card of the
`
`first sequence is also included in the second sequence.” As such, Sony does not
`
`rely on Bergsten for any other limitation of independent claims 1, 26, and 52, nor
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`does Sony set forth separate obviousness analyses for any of these limitations.
`
`For independent claim 50, Sony relies solely on Törnqvist, with the
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`exception of the claim element, “the visual cards of the first sequence of visual
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`cards representing applications within the interactive television system.” The
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`arguments for the remaining claim elements are again identical to those presented
`
`in Sony’s anticipation ground (Ground 1 of IPR2017-01695), and no further
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`obviousness analysis is provided.
`
`A. Overview of Törnqvist.
`Törnqvist is directed to “scrollable cross point navigation on a user interface
`
`in order to select a feature by combining two object fields.” (Ex. 1004, Törnqvist at
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`2:2-3.) Törnqvist sought to improve user interfaces found on appliances that
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`included “display screens for interaction with remote control and other key pad
`
`devices.” (Törnqvist at 1:28-32.) Törnqvist describes that “[n]avigation principles
`
`according to the present invention allow the user to navigate to e.g. a TV channel
`
`or Service, herein described as features, desired with only four navigation keys on
`
`a remote control device.” (Törnqvist at 4:10-13.) An example user interface
`
`employing “cross point navigation” is illustrated in Figure 2a of Törnqvist
`
`(reproduced below).
`
`
`
`(Törnqvist at Figure 2a.)
`
`The user interface of Törnqvist allows a user to “select a combination of an
`
`object field comprising objects such as function features defining a setting and a
`
`finite object field comprising finite features, by feeding the object field comprising
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`functions or the finite object field comprising finite features into a focus area 30.”
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`(Törnqvist at 5:21-25.) Törnqvist explains that a “function object is mostly a more
`
`complex setting not directly leading to a setting of a feature for an appliance and a
`
`finite object mostly leads to a direct setting of a feature for an appliance.”
`
`(Törnqvist at 5:1-4.)
`
`Objects to be displayed to the user in Törnqvist are arranged in “a tree-like
`
`manner with any branch of the tree constituting a further level.” (Törnqvist at 7:22-
`
`23.) Each level of objects can be displayed in either the row and column of
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`Törnqvist’s user interface, and objects can be moved into the focus area by
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`“feeding or ‘zapping’ up and down or left or right” on a remote control device.
`
`(Törnqvist at 2:14-15.) Importantly, Törnqvist describes that objects within each
`
`level can be changed by repeatedly pressing either a first or second button on the
`
`remote control device. (Törnqvist at 7:33-8:36.) Törnqvist explains that feeding or
`
`“zapping” to move objects into the focus area can cause the focus area to shift
`
`locations: “If the user changes the item in the focus area, a shift of the vertical bar
`
`including the focus area or a shift of the horizontal bar including the focus area is
`
`performed.” (Törnqvist at 10:10-12 (emphasis added).)
`
`When objects are moved into the focus area, Törnqvist displays a
`
`combination of the object and a linked object in the next lower level: “As long as
`
`there is a possibility to change from one level to a next lower level, a combination
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`of the two items of these two levels is displayed in the focus area.” (Törnqvist at
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`9:3-4.) This provides the user information from both objects in the focus area.
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`When the user reaches a desired combination, the user can select the combined
`
`features “using a manipulation key or button such as Ok, confirm, select etc.”
`
`(Törnqvist at 5:35-36.)
`
`B. Overview of Bergsten.
`Bergsten is directed to a “scrollable cross-point navigation image []
`
`displayed on a user interface display to select a feature by combining two object
`
`fields.” (Ex. 1007, Bergsten at 2:59-61.) The user interface includes two bars
`
`containing a plurality of panels, with each panel displaying a separate folder or
`
`particular setting. (Bergsten at 2:62-64.) The bars are positioned to intersect so that
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`“a single focus panel” appears where the bars overlap, and the bars may be “free
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`floating at any location” in order to minimize obstruction of any background
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`picture. (Bergsten at 2:64-65, 5:33-42.) An example user interface is illustrated in
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`Figure 2 of Bergsten (reproduced below).
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`
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`(Bergsten at Figure 2.)
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`Available selections in Bergsten are arranged in one or more levels of
`
`groups, and the one or more levels form a tree-like hierarchical structure. (Bergsten
`
`at 3:3-13.) Bergsten purports to solve some of the problems with the user interface
`
`of Törnqvist. In particular, Bergsten notes that in Törnqvist “it may be somewhat
`
`difficult for a user to determine where in the menu hierarchy of possible
`
`instructions and groups of instructions he currently is so that he can easily navigate
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`to another desired available electronic device instruction or setting, or group of
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`such instructions or settings.” (Bergsten at 2:19-24.) As a result, Bergsten displays
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`a combination of the user’s current lowest level in the hierarchical structure and the
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`next higher level within the focus panel. (Bergsten at 3:18-20.) The next higher
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`level, if any, is then shown in the adjacent panel on the horizontal bar of the user
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`interface (e.g., horizontal bar 34 of Figure 2), and again the next higher level, if
`
`any, is shown in the next adjacent panel on the horizontal bar until there are no
`
`further higher levels to display. (Bergsten at 3:20-27.) This enables the user to see
`
`where he or she is in the hierarchical structure by viewing the panels on the
`
`horizontal bar.
`
`To ascend up the hierarchy of levels, the user enters the “left” command one
`
`time to move the next higher level (currently to the right of the focus panel) into
`
`the focus panel. (Bergsten at 9:22-30.) In this manner, scrolling the horizontal bar
`
`moves between multiple levels or sequences of items in the tree-like hierarchical
`
`structure.
`
`C.
`
`Sony did not establish a reasonable likelihood that the
`combination of Törnqvist and Bergsten renders obvious
`independent claims 1, 26, 50, and 52.
`Sony fails to establish that Törnqvist renders obvious a
`1.
`“spatially-fixed focus area,” as recited in independent
`claims 1, 26, 50, and 52.
`Claims 1, 26, and 50 recite “a spatially-fixed focus area.” Claim 52 similarly
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`requires a “horizontally and vertically fixed focus area.” Törnqvist does not
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`expressly disclose that its focus area is spatially-fixed, and Sony fails to establish
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`that it would have been obvious for Törnqvist’s focus area to adhere to this
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`restriction. Sony does not rely on Bergsten to cure the deficiencies of Törnqvist.
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`Sony contends that the focus area of Törnqvist is spatially-fixed because the
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`focus area “is dedicated to display information which is necessary for a user to
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`control the functions of the electronic apparatus.” (Petition at 23-24 (citing
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`Törnqvist at 7:2-4) (underline in original).) Sony then asserts, without any citation
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`to its expert, that a “POSITA would understand the dedicated nature of the fixed
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`focus area of Törnqvist to mean that the focus area is spatially fixed …” (Petition
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`at 24.) Even if Sony were to cite to its expert, Dr. Olsen’s declaration would not
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`provide support since it repeats verbatim the language of the Petition. (Ex. 1002,
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`Olsen Decl. at ¶71.) The Board has repeatedly stated that an expert declaration that
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`simply “track[s] and repeat[s] the arguments for unpatentability” is entitled to little
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`or no weight. See e.g., Wowza Media Sys., LLC v. Adobe Sys., Inc., IPR2013-
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`00054, Paper 16 at p. 4 (PTAB, July 13, 2013); Free-Flow Packaging
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`International, Inc. v. Automated Packaging Systems, Inc., IPR2016-004465, Paper
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`8 at 13 (PTAB, July 22, 2016).
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`In any event, Sony’s reliance on Törnqvist’s disclosure that the focus area is
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`“dedicated to display information” is misplaced. (Törnqvist at 7:3-4.) The word
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`“dedicated” in Törnqvist is used in terms of the function of the focus area, not its
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`location on screen or whether it remains in a fixed position. Törnqvist describes
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`that “[i]f the user changes the item in the focus area, a shift of the vertical bar
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`including the focus area or a shift of the horizontal bar including the focus area
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`is performed.” (Törnqvist at 10:10-12 (emphasis added).) Claim 31 of Törnqvist
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`also includes that the focus area, as a part of the items of the horizontal bar, “may
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`be shifted in both directions.” (Törnqvist at claim 31.) One goal of Törnqvist is to
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`“mak[e] an image display on the screen possible even when all bars are visible,”
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`and thus the bars of Törnqvist’s user interface are not intended to block the image
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`displayed in the background. (Törnqvist at 2:19-20.)
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`Accordingly, Törnqvist’s disclosure of a “shift of the vertical bar including
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`the focus area” alludes to the fact that the bars of Törnqvist’s user interface are not
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`fixed in place. Sony’s reference to the “dedicated” nature of Törnqvist’s focus area
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`is insufficient to demonstrate Törnqvist would render obvious the “spatially-fixed”
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`element of the claims.
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`2.
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`Sony fails to establish that Törnqvist renders obvious a
`“scroll[ing] only visual cards from a first sequence of visual
`cards … through a spatially-fixed focus area,” as recited in
`independent claims 1, 26, and 52.
`Claims 1 and 26 require “scroll[ing] only visual cards from a first sequence
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`of visual cards […] through a spatially-fixed focus area of the user interface. Claim
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`52 similarly requires a “means for scrolling only visual cards from a first sequence
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`of visual cards through a horizontally and vertically fixed focus area.” Sony fails to
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`show that Törnqvist discloses these limitations, and Sony does not rely on Bergsten
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`to cure the deficiencies of Törnqvist.
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`Specifically, Sony alleges that Törnqvist “discloses ‘scrolling only visual
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`cards from [the] first sequence through [the] spatially-fixed focus area’ because it
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`discloses ‘[s]crolling is accomplished by feeding or “zapping” up and down or left
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`or right in order to move objects to the focus.’” (Petition at 25.) Sony further
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`references Törnqvist’s disclosure that a user may “feed[] the field F2 to F0 with the
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`key for left or right (circular bars) feeding.” (Petition at 25 (citing Törnqvist at
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`6:24-25).) Sony then merely concludes, ‘[t]hus, based on these disclosures, a
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`POSITA would understand Törnqvist as disclosing ‘scrolling only visual cards
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`from a first sequence of visual cards representing a first type of option through a
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`spatially-fixed focus area of the user interface.’” (Petition at 25 (italics in
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`original).)
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`But Sony never maps the claim term “only” to any disclosure in Törnqvist.
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`The fact that objects in Törnqvist are moved into the focus area using up, down,
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`left, or right keys does not establish that Törnqvist discloses “scroll[ing] only
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`visual cards from a first sequence of visual cards … through a spatially-fixed focus
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`area,” as required by the claims. Without explaining how Törnqvist’s disclosure of
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`“feeding” or “zapping” performs “scroll[ing] only visual cards from a first
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`sequence,” Sony’s conclusory assertion is insufficient to meet its burden. 37 C.F.R.
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`§ 42.104(b)(4) (“The petition must specify where each element of the claim is
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`found in the prior art patents or printed publications relied upon.”).
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`3.
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`Case IPR2017-01803
`U.S. Pat. No. 7,107,532
`Sony fails to establish that Törnqvist discloses “in response
`to a user horizontally scrolling a particular visual card of
`the first sequence of visual cards corresponding to a
`television application into the focus area, enabling vertically
`scrolling of a second sequence of visual cards through the
`focus area,” as recited in independent claim 50.
`Sony again relies only on Törnqvist to meet this claim element, alleging that
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`Törnqvist discloses this element “because it discloses ‘the horizontal object field
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`F2 contains the finite feature of [a] channel [i.e., a television application].’”
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`(Petition at 49 (citing Törnqvist at 6:23-24) (brackets in original).) Sony continues,
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`“‘[B]y feeding the field F2 to F0 with the key for left or right … and thus
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`overlapping field F0[,] and [then] confirm[ing] the setting by pressing a
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`confirmation key[,] it is accomplished that object fields A-F0 in the vertical bar 32
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`are changed to comprise the object fields F2:0-F2:5[,] which contain a sequence of
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`finite features.” (Petition at 49 (citing Törnqvist at 6:24-28) (brackets in original).)
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`Although Sony does not specifically map Törnqvist’s disclosure to any
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`claim terms, Sony appears to allege that by feeding the field F2 into Törnqvist’s
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`focus area (i.e., “horizontally scrolling a particular visual card of the first
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`sequence of visual cards … into the focus area”) and pressing a confirmation key,
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`the object fields in the vertical bar are changed to F2:0-F2:5 (“a second sequence
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`of visual cards”), which can then allegedly be vertically scrolled. But Sony fails to
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`show that “vertically scrolling of a second sequence of visual cards” is enabled “in
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`response to a user horizontally scrolling a particular visual