`In the Supreme Court of the United States
`
`STEPHANIE LENZ,
`
`Petitioner,
`
`v.
`UNIVERSAL MUSIC CORP., UNIVERSAL
`MUSIC PUBLISHING, INC. and UNIVERSAL
`MUSIC PUBLISHING GROUP,
`Respondents.
`
`On Petition for Writ of Certiorari
`to the United States Court of Appeals
`for the Ninth Circuit
`
`BRIEF OF THE ORGANIZATION FOR
`TRANSFORMATIVE WORKS AND PUBLIC
`KNOWLEDGE AS AMICI CURIAE IN SUPPORT OF
`THE PETITION
`
`Catherine R. Gellis
`Counsel of Record
`P.O. Box 2477
`Sausalito, CA 94966
`(202) 642-2849
`cathy@cgcounsel.com
`Counsel for amici curiae
`
`
`
`TABLE OF CONTENTS
`TABLE OF AUTHORITIES . . . . . . . . . . . . . . ii
`INTEREST OF AMICI CURIAE . . . . . . . . . . . 1
`SUMMARY OF ARGUMENT . . . . . . . . . . . . . 2
`ARGUMENT . . . . . . . . . . . . . . . . . . . . . . . 4
`I. Certiorari Is Necessary to Correct Ninth Cir-
`cuit Precedent that Puts the DMCA at Odds
`with Congress’s Intent to Encourage Online
`Speech, the First Amendment, and the Pur-
`poses of Copyright Law . . . . . . . . . . . . . . 4
`A. The
`Lax
`Standard
`Frustrates
`Congress’s Intent for the DMCA to
`Serve as a Tool to Protect Speech . . . . . . 5
`B. The Lax Standard Is Inconsistent with
`the First Amendment
`. . . . . . . . . . . . 8
`C. The Lax Standard Undermines the Pur-
`poses of Copyright Law . . . . . . . . . . . 12
`II. Certiorari Is Necessary to Finally Cure the
`Injury to Speech and Fair Uses the Lack of
`an Objective Good Faith Standard Inflicts . . 14
`A. Certiorari Should Be Granted in This
`Particular Case . . . . . . . . . . . . . . . 15
`B. Certiorari Should Be Granted to Stem
`the Tide of Illegitimate Takedown No-
`tices Targeting Free Speech and Fair
`Uses
`. . . . . . . . . . . . . . . . . . . . . 18
`CONCLUSION . . . . . . . . . . . . . . . . . . . . 23
`
`(i)
`
`
`
`TABLE OF AUTHORITIES
`
`Cases
`
`Ashcroft v. Iqbal,
`556 U.S. 662 (2009) . . . . . . . . . . . . . . . . 11
`Bantam Books, Inc. v. Sullivan,
`372 U.S. 58 (1963) . . . . . . . . . . . . . . . . . 10
`Bell Atlantic Corp. v. Twombly,
`550 U.S. 544 (2007) . . . . . . . . . . . . . . . . 11
`Brownmark Films, LLC v. Comedy Partners,
`682 F.3d 687 (7th Cir. 2012) . . . . . . . . . . . 11
`Carroll v. President & Commissioners of Princess
`Anne,
`393 U.S. 175 (1968) . . . . . . . . . . . . 12, 15, 22
`Elrod v. Burns,
`427 U.S. 347 (1976) . . . . . . . . . . . . . . . . 15
`Golan v. Holder,
`. . . . . . . . . . . . 2, 9, 13
`132 S. Ct. 873 (2012)
`Kirtsaeng v. John Wiley & Sons,
`136 S. Ct. 1979 (2016)
`. . . . . . . . . . . . . . 12
`McIntyre v. Ohio Elections Commission,
`514 U.S. 334 (1995) . . . . . . . . . . . . . . . . . 9
`Nebraska Press Ass’n v. Stuart,
`427 U.S. 539 (1976) . . . . . . . . . . . . . . 10, 22
`New York Times v. Sullivan,
`376 U.S. 254 (1964) . . . . . . . . . . . . . . . . . 8
`Perfect 10, Inc. v. CCBill LLC,
`488 F.3d 1102 (9th Cir. 2007)
`
`. . . . . . . . . . . 8
`
`(ii)
`
`
`
`(iii)
`
`Reno v. ACLU,
`521 U.S. 844 (1997) . . . . . . . . . . . . . . . . 13
`Rossi v. Motion Picture Ass’n,
`391 F.3d 1000 (9th Cir. 2004)
`UMG Recordings, Inc.
`v. Shelter Capital Partners LLC,
`718 F.3d 1006 (9th Cir. 2013)
`. . . . . . . . . 6–7
`United States
`v. Playboy Entertainment Group, Inc.,
`529 U.S. 803 (2000) . . . . . . . . . . . . . . . . 11
`
`. . . . . . . 4, 15–16
`
`Constitutional Provision
`
`U.S. Const. amend. 1 . . . . 2–4, 8–10, 12–13, 15, 22
`
`Statutes
`
`Digital Millennium Copyright Act (DMCA),
`17 U.S.C. § 512 . . . . . . . . . 2–4, 6–16, 20–22
`——— § 512(c)
`. . . . . . . . . . . . 2, 4, 9–10, 20
`——— § 512(c)(1)(C) . . . . . . . . . . . . . . . . 6
`——— § 512(e)(1) . . . . . . . . . . . . . . . . . 20
`——— § 512(f)
`. . . . . 2, 4, 8–10, 13, 15–16, 20
`——— § 512(g) . . . . . . . . . . . . . . 9, 16, 22
`——— § 512(m) . . . . . . . . . . . . . . . . . . . 7
`
`
`
`(iv)
`
`Other Sources
`
`Andy, Reddit Working on a Copyright Takedown
`Transparency Report, TorrentFreak (Apr. 1,
`2016), https://torrentfreak.com/reddit-working-
`on-a-copyright-takedown-transparency-report-
`160401/ . . . . . . . . . . . . . . . . . . . . . . . . . 19
`Comments of the Organization for Transforma-
`tive Works, Section 512 Study, 80 Fed. Reg.
`81862 (Copyright Office Apr. 1, 2016), avail-
`able at https://www.regulations.gov/document?
`D=COLC-2015-0013-86027 . . . . . . . . . . . . . 16
`Ctr. for Democracy & Tech., Campaign Take-
`down Troubles: How Meritless Copyright Claims
`Threaten Online Political Speech (2010), avail-
`able at https://www.cdt.org/files/pdfs/copyright_
`takedowns.pdf . . . . . . . . . . . . . . . . . . . . . 22
`Tim Cushing, Total Wipes Decides the Word
`‘Download’ Means Infringement, Issues DMCA
`Takedown Loaded with Non-Infringing URLs,
`Techdirt (Feb. 23, 2015), https://www.techdirt.
`com/articles/20150222/12492130106/total-wipes-
`decides - word - download - means - infringement -
`issues - dmca - takedown - loaded - with - non -
`infringing-urls.shtml
`. . . . . . . . . . . . . . . . . 19
`Peter Kafka, Veoh Finally Calls It Quits: Lay-
`offs Yesterday, Bankruptcy Filing Soon, CNet
`(Feb. 11, 2010), http://www.cnet.com/news/
`veoh - finally - calls - it - quits - layoffs - yesterday -
`bankruptcy-filing-soon/ . . . . . . . . . . . . . . . . . 6
`
`
`
`(v)
`
`Lumen Database (last accessed Sept. 13, 2016),
`https://lumendatabase.org/ . . . . . . . . . . . . . . 18
`Elizabeth Martin, Using Copyright to Remove
`Content: An Analysis of Garcia v. Google, 26 Ford-
`ham Intell. Prop. Media & Ent. L. 463 (2016) . . . 21
`Alex Pasternak, NASA’s Mars Rover Crashed
`Into a DMCA Takedown, Motherboard (Aug. 6,
`2012), http://motherboard.vice.com/blog/nasa-s-
`mars-rover-crashed-into-a-dmca-takedown . . . . 20
`Adam Rosenberg, ‘Pixels’ Copyright Notices Took
`Down the Studio’s Own Trailer, Mashable (Aug.
`9, 2015), http://mashable.com/2015/08/09/pixels-
`dmca/
`. . . . . . . . . . . . . . . . . . . . . . . . . . 20
`Matt Schruers, Observations on DMCA Reform
`and Notice & Takedown Abuse, Project Disco
`(May 23, 2013), http://www.project-disco.org/
`intellectual - property / 052313observations - on -
`dmca-reform-and-notice-takedown-abuse/
`. . . . . 21
`Section 512 of Title 17: Hearing Before the Sub-
`comm. on Courts, Intellectual Property, and the
`Internet of the H. Comm. on the Judiciary, 113th
`Cong. (2014) . . . . . . . . . . . . . . . . . . . . 21–22
`Daniel Seng, The State of the Discordant Union:
`An Empirical Analysis of DMCA Takedown No-
`tices, 18 Va. J.L. & Tech. 369 (2014)
`. . . . . . . . 19
`Daniel Seng,
`‘Who Watches the Watchmen?’
`An Empirical Analysis of Errors in DMCA
`Takedown Notices (Jan. 23, 2015)
`(unpub-
`lished manuscript), available at http://ssrn.com/
`abstract=2563202 . . . . . . . . . . . . . . . . . . . 19
`
`
`
`(vi)
`
`Joey-Elijah Sneddon, Ubuntu Torrent Removed
`from Google for ‘Infringing’ Transformers Movie,
`OMG! Ubuntu! (Sept. 12, 2016), http://www.
`omgubuntu.co.uk / 2016 / 09 / ubuntu - torrent -
`removed-google-infringing-transformers-movie . . 18
`S. Rep. No. 105-190 (1998) . . . . . . . . . . . . . . . 5
`Transparency Report: Frequently Asked Ques-
`tions, Google (last accessed Sept. 13, 2016),
`http: / / www.google.com / transparencyreport /
`removals / copyright / faq /#abusive _ copyright _
`requests
`. . . . . . . . . . . . . . . . . . . . . . . . 20
`Jennifer M. Urban et al., Notice and Takedown in
`Everyday Practice (2016), available at http://ssrn.
`com/abstract=2755628 . . . . . . . . . . . 7, 9, 19–20
`Warner Brothers Reports Own Site as Illegal,
`BBC News (Sept. 5, 2016), http://www.bbc.com/
`news/technology-37275603 . . . . . . . . . . . . . . 20
`
`
`
`INTEREST OF AMICI CURIAE
`The Organization for Transformative Works1 is a
`nonprofit organization dedicated to protecting and pre-
`serving noncommercial works created by fans based
`on existing works, including popular television shows,
`books, and movies. OTW’s “Archive of Our Own” also
`functions as a platform hosting transformative non-
`commercial works, supporting over 900,000 registered
`users and receiving upwards of 130 million page views
`per week.
`Public Knowledge is a non-profit organization that
`is dedicated to preserving the openness of the Internet
`and the public’s access to knowledge, promoting cre-
`ativity through balanced intellectual property rights,
`and upholding and protecting the rights of consumers
`to use innovative technology lawfully. Public Knowl-
`edge advocates on behalf of the public interest for a
`balanced copyright system, particularly with respect
`to new and emerging technologies.
`Amici curiae are collectively organizations that
`share the concern that review by this Court is neces-
`sary to keep speech and creativity from being chilled.
`
`1Pursuant to Supreme Court Rule 37.2(a), all parties received
`appropriate notice of and consented to the filing of this brief. Pur-
`suant to Rule 37.6, no counsel for a party authored this brief in
`whole or in part, and no counsel or party made a monetary con-
`tribution intended to fund the preparation or submission of the
`brief. No person or entity, other than amici, their members, or
`their counsel, made a monetary contribution to the preparation
`or submission of this brief.
`
`1
`
`
`
`SUMMARY OF ARGUMENT
`The petition here may come wrapped as a copyright
`case, but it is a case as much about free speech as
`any of the seminal free speech cases that have reached
`this Court before. Because the Ninth Circuit’s decision
`leads to a result inconsistent with this Court’s prior
`First Amendment holdings, review here is warranted.
`Copyright law must always be drawn within the
`bounds that the First Amendment permits. Golan v.
`Holder, 132 S. Ct. 873, 890 (2012). In enacting § 512
`of the Digital Millennium Copyright Act (“DMCA”),
`Congress sought to comply with these limitations
`through several speech-protecting provisions, includ-
`ing § 512(c) which requires that the sender of a take-
`down demand have a “good faith belief” that the tar-
`geted speech is not authorized “by the owner, its agent
`or the law,” and § 512(f), which allows those injured
`by illegitimate takedown demands of their speech to
`hold the senders of those demands accountable. These
`provisions mitigate the powerful effects of the DMCA,
`which essentially grant copyright owners an immedi-
`ate injunction removing challenged content without
`any need for independent judicial review.
`But the First Amendment requires more than ab-
`stract safeguards for free speech; it requires those safe-
`guards to have practical effect. Yet, as the dissent
`in the appellate decision explained, by requiring only
`a subjective, rather than objective, “good faith belief”
`the majority decision “eviscerates § 512(f) and leaves it
`toothless” against the frivolous speech-suppressing de-
`mands the DMCA’s notice-and-takedown system struc-
`turally invites.
`
`2
`
`
`
`3
`
`This case illustrates how lawful speech is now vul-
`nerable to the unchecked censorship that system en-
`ables, allowing a form of prior restraint that ordinar-
`ily would be anathema to the First Amendment. There
`are countless other examples, and there will yet be
`countless more if this Court does not grant review on
`certiorari.
`Only by doing so can this Court vindicate
`Congress’s intent to encourage online speech, the
`First Amendment interests of online speakers and
`the public, and the underlying purposes underpinning
`copyright law to “promote the progress of science and
`useful arts.” Amici urge this Court to grant certiorari
`and restore the balance the DMCA constitutionally
`requires.
`
`
`
`ARGUMENT
`I. Certiorari Is Necessary to Correct Ninth
`Circuit Precedent that Puts the DMCA at
`Odds with Congress’s Intent to Encourage
`Online Speech, the First Amendment, and
`the Purposes of Copyright Law
`The decision of the Court of Appeals raises signif-
`icant structural issues with how online expression in-
`teracts with the copyright statute. The specific issue
`is that court relied on its earlier holding in Rossi v.
`Motion Picture Ass’n, 391 F.3d 1000 (9th Cir. 2004),
`which held that a mere subjective good faith belief that
`targeted content was unauthorized “by the owner, its
`agent or the law,” was sufficient to support a takedown
`demand sent pursuant to § 512(c).
`By permitting a subjective good faith belief rather
`than requiring an objectively reasonable one, the
`Ninth Circuit effectively excised § 512(f) from the
`statute, making it all but impossible for people whose
`legitimate, non-infringing speech has been affected by
`invalid takedown demands to obtain a remedy for the
`harm this extra-judicial censorship inevitably and un-
`justifiably causes. Furthermore, by removing § 512(f)’s
`ability to provide a remedy to wronged speakers, the
`Ninth Circuit also removed its ability to deter those
`who would misuse the DMCA’s extraordinary power to
`cause others’ content to be wrongfully deleted.
`The functional effects of this lax standard are in-
`consistent with congressional intent, the First Amend-
`ment, and the purposes of copyright law. Certiorari
`should be granted to ensure that the DMCA can re-
`main consistent with all three.
`
`4
`
`
`
`5
`A. The Lax Standard Frustrates Congress’s
`Intent for the DMCA to Serve as a Tool to
`Protect Speech
`In the late 1990s Congress saw the potential of the
`Internet to unite people and ideas. It also recognized
`the critical role of Internet platforms in delivering this
`promise. Users rely upon platforms to access and use
`the Internet: they are what carry, store, and serve
`each speck of information online. Everything people
`communicate on the Internet exists on the Internet
`only because some site, server, or system has inter-
`mediated their communications so that the world can
`have access to them. Congress understood that if it
`wanted these intermediaries to remain available to fa-
`cilitate users’ expression, it needed to craft a law that
`ensured they had sufficient protection from litigation
`and liability with respect to that expression. S. Rep.
`No. 105-190, at 8 (1998) (“[B]y limiting the liability
`of service providers, the DMCA ensures that the effi-
`ciency of the Internet will continue to improve and that
`the variety and quality of services on the Internet will
`continue to expand.”).
`Congress offered intermediaries this shield to al-
`low them to continue to be ready and available facili-
`tators for the rich world of online content they enable.
`Id. at 1–2 (“The [DMCA] is designed to facilitate the
`robust development and world-wide expansion of elec-
`tronic commerce, communications, research, develop-
`ment, and education in the digital age.”). The survival
`of intermediaries is irrelevant, however, if all the con-
`tent they would facilitate is vulnerable to deletion de-
`mands by others.
`
`
`
`6
`
`The trouble arises because the DMCA makes plat-
`form protection conditional on platforms meeting cer-
`tain requirements,
`including the requirement that
`they “respond[] expeditiously to remove, or disable ac-
`cess to, the material that is claimed to be infring-
`ing or to be the subject of infringing activity” upon
`receiving notification of such claimed infringement.
`§ 512(c)(1)(C). Thus platforms find themselves in a
`paradoxical situation: in order to mitigate their legal
`risk so that they can exist as intermediaries, they must
`suppress some of that very speech they exist to inter-
`mediate.
`As a practical matter, platforms can, and some-
`times do, resist taking down content targeted by take-
`down notices that appear invalid, but there are several
`reasons why platforms should not be left to be the fi-
`nal arbiters of takedown notices. For one, platforms
`are disincentivized from rejecting takedown notices be-
`cause doing so would risk waiving the critical “safe har-
`bor” that protects them from ruinous legal costs, if not
`also crippling damages.2 The decision not to honor a
`notice is therefore not one a platform can make lightly.
`Platforms also generally lack the necessary infor-
`mation to know whether any particular content they
`host at the direction of users is authorized “by the
`owner, its agent or the law.” In questions of copyright,
`context matters: a literal copy is not inherently infring-
`ing. It is only infringing when made without authoriza-
`2In UMG Recordings, Inc. v. Shelter Capital Partners LLC,
`the platform was ultimately vindicated, but not before having
`been driven into bankruptcy and extinguished as a platform for
`users to share their content. See 718 F.3d 1006, 1024 (9th Cir.
`2013); Peter Kafka, Veoh Finally Calls It Quits: Layoffs Yesterday,
`Bankruptcy Filing Soon, CNet (Feb. 11, 2010), URL supra p. iv.
`
`
`
`7
`
`tion “by the owner, its agent or the law.” But this is
`information known only to takedown notice senders—
`not platforms. Thus the obligation to evaluate whether
`a takedown demand is warranted should rest entirely
`with the former.
`Furthermore, it can be unfeasible for platforms,
`particularly those that are smaller or individually run,
`to individually review takedown notices in any signifi-
`cant quantity. In addition to the resources such a re-
`view demands, smaller platforms may also lack the le-
`gal sophistication to even begin to evaluate a takedown
`notice’s legitimacy.3 But even for larger platforms,4
`which are subject to an even greater tidal wave of au-
`tomatic takedown notices, the burden of individual re-
`view can be equally unmanageable. See, e.g., Jennifer
`M. Urban et al., Notice and Takedown in Everyday
`Practice 10 (2016), available at URL supra p. vi (de-
`scribing a dataset of over 108 million takedown notices
`sent over a six-month period directed only to Google im-
`age search).
`Congress understood that requiring platforms to
`proactively police for infringing content would be
`tremendously burdensome. 17 U.S.C. § 512(m); see
`also Shelter Capital Partners, 718 F.3d at 1022 (citing
`
`3While Petitioner’s video was hosted on a large-scale commer-
`cial platform, platforms come in all shapes and sizes, hosting all
`sorts of material (text, video, pictures, sound), for all sorts of users
`hoping to reach all sorts of audiences. The DMCA applies to any
`and all platforms who comply with its requirements, regardless of
`whether they are run by public companies like Google, non-profit,
`volunteer-run organizations like OTW, or individuals who have
`coded their own websites.
`4Note also that “large” platforms in terms of usage, visitors, or
`prominence can also come with “small” back-end operations staff.
`
`
`
`8
`
`Perfect 10, Inc. v. CCBill LLC, 488 F.3d 1102, 1113 (9th
`Cir. 2007) (“Congress made a considered policy deter-
`mination that the ‘DMCA . . . [would] place the bur-
`den of policing copyright infringement—identifying
`the potentially infringing material and adequately doc-
`umenting infringement—squarely on the owners of the
`copyright.’ ”)). But it is no less burdensome to require
`them to proactively police for fair use or other defenses
`of legitimate speech. When presented with a takedown
`demand they are likely to obey it in order to be able to
`survive as a host for any user content at all.
`This pressure for platforms to yield to every take-
`down demand they receive, no matter how invalid, puts
`them at odds with their users and undermines their
`ability to host the speech users look to them to interme-
`diate and that the DMCA was intended to foster. For
`the DMCA to achieve its purpose of stimulating speech
`rather than suppressing it, there has to be a statu-
`tory check upon takedown notice senders. Congress
`intended that check to be § 512(f), but that check must
`have teeth to allow the DMCA to be the sort of speech-
`facilitating statute Congress intended it to be. Certio-
`rari should therefore be granted to restore this critical
`deterrent.
`
`B. The Lax Standard Is Inconsistent with the
`First Amendment
`Congress could not have passed a law that would
`have undermined the First Amendment. The reach
`of any law must always be measured by standards
`that satisfy it. New York Times v. Sullivan, 376 U.S.
`254, 269 (1964) (describing how no law can claim “tal-
`ismanic immunity” from constitutional limitations).
`
`
`
`9
`
`the doctrine of fair
`Copyright law is no exception:
`use importantly ensures in part that copyright law re-
`mains consistent with those First Amendment princi-
`ples. Golan, 132 S. Ct. at 890.
`In creating the DMCA’s notice-and-takedown sys-
`tem, Congress did not intend to do violence to fair use
`and the critical speech interests it protects. In fact,
`Congress wrote into the statute several key provisions
`to guard against such a result. These provisions in-
`cluded § 512(c), which requires senders of takedown
`demands to have a “good faith belief” that the targeted
`material represented a use not authorized “by the copy-
`right owner, its agent, or the law,” and § 512(f), which
`then provides those injured by illegitimate takedown
`demands of their speech access to a remedy.5 But when
`courts do not enforce the sanction prescribed by § 512(f)
`to stop improper takedown demands directed at fair
`uses, then the law as a whole effectively ceases to com-
`port with constitutional mandates.
`The issue here is not that courts are refusing to en-
`tertain claims brought under § 512(f), but that by judg-
`ing the takedown notice sender’s “good faith belief” un-
`der a subjective, rather than objective, standard, it ef-
`fectively “eviscerates § 512(f) and leaves it toothless”
`
`5There is also a third provision, at § 512(g), which allows for
`deleted content to be “put back” online upon counter-notification
`by the affected speaker. However, in practice this provision pro-
`vides very little recourse for a speaker whose speech has been re-
`moved, and data suggests that it is little used. Urban et al., supra,
`at 44–46. Furthermore, forcing anonymous speakers to rely on
`§ 512(g), thereby unmasking themselves, puts the DMCA in se-
`rious tension, if not outright conflict, with the First Amendment,
`which explicitly includes a right to anonymous speech. McIntyre v.
`Ohio Elections Comm’n, 514 U.S. 334, 357 (1995).
`
`
`
`10
`
`against the frivolous censorship demands the DMCA’s
`notice-and-takedown system invites. Pet. Cert. 30–31
`(citing dissent).
`The trouble arises because by its very design the
`DMCA essentially functions as a system of extra-
`judicial injunctions on speech, deliberately sparing ag-
`grieved copyright holders from the cost and delay of
`having to seek content-removing injunctions from the
`courts. Such a system is truly extraordinary:
`in no
`other circumstance would we allow any law to enable,
`and indeed encourage, speech to be suppressed with-
`out judicial oversight. On the contrary, First Amend-
`ment jurisprudence ardently protects speech, partic-
`ularly against injunctions on untested claims. Neb.
`Press Ass’n v. Stuart, 427 U.S. 539, 562 (1976) (“Only
`after judgment has become final, correct or otherwise,
`does the law’s sanction become fully operative.”). Be-
`cause an injunction against speech constitutes a prior
`restraint if the court later finds the claim against it
`unmeritorious, such injunctions are greatly disfavored.
`Bantam Books, Inc. v. Sullivan, 372 U.S. 58, 70 (1963)
`(“Any system of prior restraints . . . bear[s] a heavy pre-
`sumption against its constitutional validity. We have
`tolerated such a system only where it operated under
`judicial superintendence and assured an almost imme-
`diate judicial determination of the validity of the re-
`straint.”) (internal citations omitted).
`In crafting the DMCA, Congress did not attempt
`to remove the courts from their position of oversight;
`rather, it switched the role of judicial review from ex
`ante to post hoc. Section 512(f) invites the review and
`§ 512(c) articulates the standard the review checks for.
`Yet without requiring anything more than a subjective
`
`
`
`11
`
`good faith belief nearly every specious belief can clear
`that hurdle.
`By not enforcing an objectively reasonable stan-
`dard, the DMCA’s notice-and-takedown system ends
`up empowering would-be censors to target content
`with an ease and efficiency they never would be permit-
`ted without it. If takedown notice senders were to sue
`for an injunction, they would ordinarily need to plead
`enough “factual content that allows the court to draw
`the reasonable inference that the defendant is liable
`for the misconduct alleged.” Ashcroft v. Iqbal, 556 U.S.
`662, 678 (2009) (citing Bell Atl. Corp. v. Twombly, 550
`U.S. 544, 556 (2007)). Something more than a subjec-
`tive belief in the validity of the claim would necessarily
`be required, see id., even in the copyright context. See,
`e.g., Brownmark Films, LLC v. Comedy Partners, 682
`F.3d 687, 692 (7th Cir. 2012) (dismissing copyright in-
`fringement claim on a motion to dismiss, finding an
`“obvious case of fair use”).
`But the same is not true for a takedown notice so
`long as courts permit them to be predicated on a mere
`subjective good faith belief. As this Court has found,
`where liability lies on the line between unlawful and
`protected speech, an “[e]rror in marking that line ex-
`acts an extraordinary cost.” United States v. Playboy
`Entm’t Group, Inc., 529 U.S. 803, 817 (2000). Yet that
`is the error that the lesser standard invites. By not
`holding the infringement claims underpinning take-
`down notices to an objective standard, unmeritorious
`claims that would never survive judicial scrutiny nev-
`ertheless have injunctive effect on fair uses, with little
`risk of consequence to the party issuing even a baseless
`demand. Now relieved of both their procedural and
`
`
`
`12
`
`pleading burdens, as well as the cost, legal risk, and de-
`lay of a lawsuit, takedown notice senders instead have
`a clear path to censor others’ speech at will.
`Such a statutory interpretation puts the DMCA at
`odds with several constitutional tenets. “[A] noncrimi-
`nal process of prior restraints upon expression ‘avoids
`constitutional infirmity only if it takes place under pro-
`cedural safeguards designed to obviate the dangers of
`a censorship system.’ ” Carroll v. President & Comm’rs
`of Princess Anne, 393 U.S. 175, 181 (1968). Certiorari
`should therefore be granted to restore the effective pro-
`tections for online speech the Constitution requires.
`
`C. The Lax Standard Undermines the
`Purposes of Copyright Law
`As this Court recently observed in Kirtsaeng v.
`John Wiley & Sons when interpreting the meaning of
`a provision in the copyright statute, “[w]e must con-
`sider if [that interpretation] well advances the Copy-
`right Act’s goals.” 136 S. Ct. 1979, 1986 (2016).
`Those objectives are well settled. “Copyright law ul-
`timately serves the purpose of enriching the general
`public through access to creative works.” Kirtsaeng,
`136 S. Ct. at 1986 (internal cites omitted). “The statute
`achieves that end by striking a balance between two
`subsidiary aims: encouraging and rewarding authors’
`creations while also enabling others to build on that
`work.” Id. Certiorari should be granted here because
`of the degree to which the subjective good faith stan-
`dard distorts this critical balance.
`As discussed above, there should be no inherent
`tension between copyright and the First Amendment.
`They exist in parallel with the shared purpose of en-
`
`
`
`13
`
`couraging expression. Golan, 132 S. Ct. at 889–90.
`The DMCA, part of the Copyright Act, was similarly in-
`tended to create an environment where further speech
`could be fostered and made available online. Yet as
`long as the DMCA remains a tool of expedient censor-
`ship it will remain at odds with the purposes of copy-
`right law as much as it is at odds with the First Amend-
`ment.
`It is at odds because of how, rather than protecting
`more speech, it makes online speech even more vulner-
`able than it would have been offline, a result that flouts
`this Court’s prior precedent. Reno v. ACLU, 521 U.S.
`844, 870 (1997). In the offline context, where there is
`no DMCA, no one could so easily and costlessly cause
`speech to be censored by merely pointing at it and
`claiming an infringement. To enjoin infringing expres-
`sion they would need to draft a well-pleaded complaint
`sufficient to overcome the strong deference to speech
`protection that fair use and the First Amendment re-
`quire.6 Yet for speech that exists only online, there are
`no such hurdles obstructing would-be censors. In fact,
`not only are there no hurdles, but so long as the subjec-
`tive good faith standard is permitted to render § 512(f)
`ineffective at providing a remedy for unjust takedown
`demands, the statute effectively greases the wheels to
`make this sort of injunction unprecedentedly quicker,
`easier, and cheaper to achieve than it ever would have
`been in the offline world.
`The result of this grant of extraordinary power to
`copyright holders7 absent an effective check is to ren-
`
`6See Section I.B supra p. 8.
`7The DMCA grants the power to copyright holders, but it is
`a power that can be wielded equally by those who own no valid
`
`
`
`14
`
`der the notice-and-takedown regime of the DMCA in di-
`rect conflict with copyright’s purposes. Though it is of-
`ten said that copyright remedies are necessary in order
`to incentivize speech, these remedies now can squelch
`the very speech copyright law seeks to incentivize. On-
`line speech is expression that promotes the progress
`of the arts and sciences. Many online fair uses reflect
`the originality and authorship necessary to qualify for
`copyright protection itself. There is no principled rea-
`son why this expression should have less protection
`than the expression copyright owners claim as theirs.
`The vibrancy of online speech, and how it, by its
`very existence, in turn inspires yet more speech, illus-
`trates why the doctrine of fair use exists. By allow-
`ing downstream speakers to consider and comment on
`what has come before, we enable even more to come af-
`ter. Yet with the subjective standard effectively giving
`carte blanche to private parties to cause any amount
`of online speech to be censored on a whim, the DMCA
`ends up destroying the very thing copyright law is in-
`tended to foster.
`Certiorari should be granted to ensure that this
`damage to speech that a healthy democratic society de-
`pends on cannot continue to accrue.
`
`II. Certiorari Is Necessary to Finally Cure the
`Injury to Speech and Fair Uses the Lack of
`an Objective Good Faith Standard Inflicts
`The harm caused by a lax standard is real and being
`realized at an ever-increasing rate to speakers and the
`public that benefits from having access to this speech.
`copyright in any of the targeted speech. See Section II.B infra
`p. 18 for examples of this takedown notice abuse.
`
`
`
`15
`
`As with any censorship it is a harm that accrues as
`soon as deletion is forced, regardless of whether it was
`later restored or any specific pecuniary harm was re-
`alized. Elrod v. Burns, 427 U.S. 347, 373 (1976) (“The
`loss of First Amendment freedoms, for even minimal
`periods of time, unquestionably constitutes irrepara-
`ble injury.”). Any unjustified censorship for any length
`of time represents a serious affront to the First Amend-
`ment and the parallel values reflected in copyright law.
`Carroll, 393 U.S. at 181 n.5 (“The elimination of prior
`restraints was a ‘leading purpose’ in the adoption of
`the First Amendment.”).
`Yet this form of prior restraint is a particularly per-
`nicious injury that all too many speakers have had to
`endure and all too many will have to endure if bal-
`ance is not restored to the DMCA. Certiorari should be
`granted in order to put an end to this constitutionally-
`intolerable harm.
`
`A. Certiorari Should Be Granted in This
`Particular Case
`This case represents just one of the countless ex-
`amples of legitimate speech succumbing to illegitimate
`censorship without any effective means of addressing
`that injury. See Section II.B infra p. 18 (noting other
`such cases). But the egregiousness of the injury here,
`and the lengthy, thus far fruitless quest to seek relief
`under the law, present a rare opportunity to stem the
`tide of wrongful censorship of speakers like Petitioner.
`Although instances of illegitimate takedown de-
`mands are rapidly accruing, opportunities for judicial
`intervention are still seldom. The Ninth Circuit’s Rossi
`holding renders remedies under § 512(f) all but illu-
`
`
`
`16
`
`sory, thus deterring those whose speech has been re-
`moved from seeking redress. As the history of Peti-
`tioner’s case attests, pursuing a § 512(f) claim is a dif-
`ficult and costly process. It is rare to find a speaker
`with both the risk tolerance8 and resources9 willing
`and able to attempt to swim upstream against a prece-
`dent so overly protective of their censors.
`Certiorari in Rossi was denied, but there are sev-
`eral reasons why certiorari should be granted here.
`First, that case was the first to interpret the “good
`faith” standard as a subjective one, and the full scope
`of the decision’s deleterious effect on speech was not
`as apparent then as it is now. Second, its facts did not
`8Pursuing any remediation through the DMCA—whether
`through § 512(f) or 512(g)—is a risky proposition that puts
`wronged speakers in the crosshairs of their challengers. See
`note 5 supra p. 9; see also Comments of the Organization



